The early stages of the Ahsan Manzil property trace back to the late 19th century when it was commissioned by Nawab Abdul Ghani, the then-ruler of Dhaka. The Nawab envisioned a grand residence that would serve as the official palace for himself and his family. Construction began in 1859 and was completed in 1872, marking the culmination of years of meticulous planning and architectural design.

The location chosen for Ahsan Manzil was strategic, situated on the banks of the Buriganga River, which served as a vital artery for trade and transportation in the region. Its proximity to the river not only provided easy access but also added to the scenic beauty of the palace grounds.

The architectural design of Ahsan Manzil was a fusion of various influences prevalent during that period. It reflected the Indo-Saracenic style, characterized by a harmonious blend of Indian, Islamic, and European architectural elements. The palace boasted spacious halls, ornate arches, intricately carved pillars, and majestic domes, all meticulously crafted by skilled artisans of the time.

During its early years, Ahsan Manzil served as the nerve center of the Nawabi court, witnessing extravagant celebrations, royal ceremonies, and diplomatic gatherings. It was not only a symbol of the Nawab’s wealth and power but also a testament to the cultural sophistication of Dhaka.

However, the palace faced its share of challenges, including natural disasters such as the tornado of 1888 and the devastating floods that ravaged the region in 1911. These calamities inflicted significant damage to the structure, prompting extensive restoration efforts to preserve its architectural integrity.

Despite the challenges, Ahsan Manzil remained a beacon of grandeur and elegance, continuing to play a prominent role in the social and political landscape of Dhaka. Over time, it became a cherished symbol of Bangladesh’s cultural heritage, captivating the imagination of visitors and locals alike with its timeless charm and historical significance.